equipment

CAMERAS
– Panasonic Lumix S1. L-mount or EF mount (4k 422 10bit, ProRes. Up to 6k) (fully rigged)
– Sony RX10ii (4k 8bit 420) (BTS camera)

LENSES
– Lumix S 35mm 1.8 L-mount
– Lumix S 50mm 1.8 L-mount
– Lumix S 20-60mm L-mount
– Tilta 4×4 2-stage swing-away matte box
– 4×4 Format Hitech Firecrest Ultra IRND filters, 1-10 stops in single stop increments
– 4×4 Format Hitech Black Supermist 1/8, 1/4
– 4×4 Tiffen Glimmerglass 1/2
– 77mm filter kit with IRNDs, Pola, Diffusion
– Various vintage lenses and anamorphic adapters

SUPPORT
– Atomos Shogun Inferno, 7″ monitor and Proress/ Proress Raw recorder (1tb, 256g ssds)
– Sirui tripod with Sirui BCH-20 fluid head (75mm bowl)
– HiHat (100/75mm bowl)
– Feelworld Lut7 4k monitor
– Accsoon CineEye 2s (for wireless client video monitoring. Up to 4 ios/ android devices)
– iPad
– 3x 148wh V-mount camera batteries + dual charger
– Ditty/ AKS kit

SOUND
– Sanken Cos11d lavalier mic
– Rode Lavalier mic
– Rode Videomic NTG
– Rode Wireless Go ii (radio mics, dual-channel)
– Rode Wireless Go (radio mic)
– Sony MDR 7506 monitoring headphones

LIGHTING
– 2x Aputure MC mini lights
– Godox 150w 2×2′ flexible LED light
– SL60w cob LED w/ barn doors
– Stands, rigging, reflectors, diffusers, neg fill.

I also have a strong working relationship with a gaffer with full kit at reasonable rates.

POST-PRODUCTION/ DIT
– Mac-based Davinci Resolve Edit Suite
– Blackmagic Micro Panel
– Ultrastudio Mini Output
– HP DreamColor monitor
– OWC thunderbay 4 SSD Raid
– Exos storage drives

And a whole lot more…

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